Saturday evening presented a captivating contrast between American and European operatic narratives, featuring two thematically interconnected works that were censored or neglected by history. “Highway 1, USA,” composed by the esteemed William Grant Still, widely recognized as the “Dean of African-American Composers,” unfolded against the charming backdrop of a rustic gasoline filling station along Highway 1 in 1950s America.

Still’s composition skillfully wove elements of blues and folk music, evoking a delightful vernacular reminiscent of a Broadway musical. Accompanied by Verna Arvey’s evocative libretto, the production exuded the nostalgic charm of a bygone era while deftly addressing timeless themes of love, sacrifice, and the pursuit of the American dream. Christopher Myers’ production design, including a billboard resembling Obama, added a layer of contemporary relevance, enriching the audience’s engagement with the storyline.

The narrative centers around the lives of Bob (Baritone, Norman Garrett) and Mary (Soprano, Nicole Heaston), a devoted married couple whose tranquility is disrupted by the arrival of Bob’s aimless younger brother, Nate (Tenor, Chaz’men Williams-Ali). The top-notch cast delivered on every level, seamlessly blending powerful vocals with compelling acting.

These riveting one-act operas not only satisfy the connoisseur but also serve as an excellent introduction for beginners eager to immerse themselves in the genre’s rich tradition of epic storytelling.

Following a brief intermission, the stage underwent a remarkable transformation, transporting the audience to the lavish courts of Renaissance Italy for “The Dwarf.” Composed by Alexander von Zemlinsky with a libretto by Georg C. Klaren, this opera offered a stark contrast to the domestic intimacy of the preceding work. Soprano Erica Petrocelli’s portrayal of Donna Clara, the Infanta, and Tenor Rodrick Dixon’s mesmerizing performance as the enigmatic Dwarf who, having never seen a mirror, is unaware of his own ugliness, brought Oscar Wilde’s poignant tale to life with striking authenticity. The visual spectacle of “The Dwarf” was matched only by its emotional depth — Zemlinsky’s adaptation was inspired by his own personal struggles and reflections. Sumptuous costumes and elaborate sets further enhanced the immersive experience, transporting the audience to a bygone world of opulence and court rituals.

These riveting one-act operas not only satisfy the connoisseur but also serve as an excellent introduction for beginners eager to immerse themselves in the genre’s rich tradition of epic storytelling.

— Rosane Grimberg / G. Dhalla

Double Feature: Highway 1 USA, and The Dwarf at the LA Opera through March 17th. Tickets HERE