Review: Revving Up Nostalgia as “Back to the Future” Musical Brings Time-Travel Magic

Caden Brauch (Marty McFly). Photo by Matthew Murphy and Evan Zimmerman, 2024

The “Back to the Future” musical’s opening night in Los Angeles infused the Hollywood Pantages Theater with an evocative blend of Hollywood glamour and sci-fi nostalgia. The festivities began with a striking arrival of the DeLorean time machine, which elicited an enthusiastic response from fans and celebrities alike, eager to reconnect with the iconic story of Marty McFly and Doc Brown.

Pictured (L-R): Don Stephenson (Doc Brown) and Caden Brauch (Marty McFly). Photo by Matthew Murphy and Evan Zimmerman, 2024

Upon entering, guests were transported to a vivid recreation of the 1980s, replete with neon lights, classic rock, and a nostalgic nod to high school prom. The performance opened with “It’s Only a Matter of Time,” an energetic number that introduced Alan Silvestri and Glen Ballard’s original compositions alongside a book by Bob Gale. The score deftly bridged the sounds of the 80s with those of the 50s, capturing the musical spirit of the era.

A vivid recreation of the 1980s, replete with neon lights, classic rock, and a nostalgic nod to high school prom.

Caden Brauch’s portrayal of Marty McFly was engaging, capturing both the humor and audacity that define the character. His performance lent Marty a compelling blend of innocence and courage, qualities that resonated with the audience. Don Stephenson brought to life the eccentric and endearing Doc Brown, with a dynamic comic presence that complemented Brauch’s youthful vigor. The pair’s interactions balanced moments of chaos and mentorship, while Burke Swanson’s interpretation of George McFly offered a moving portrayal of self-doubt and resilience, particularly in scenes with Ethan Rogers’ menacing Biff.

Pictured (L-R): Burke Swanson (George McFly), Ethan Rogers (Biff Tannen), Caden Brauch (Marty McFly), and Zan Berube (Lorraine Baines). Photo by Matthew Murphy and Evan Zimmerman, 2024

The soundtrack blended new songs with beloved classics, including “Power of Love,” allowing the audience to revel in a shared nostalgia. Ensemble performances, especially during the 1955 high school dance scene, radiated energy and drew viewers into the era with spirited choreography.

Yet it was the production’s technical sophistication that truly captivated. The onstage DeLorean, paired with stunning visual effects that simulated time travel, demonstrated an impressive synthesis of theatrical craftsmanship. Scenic designer Tim Hatley and video designer Finn Ross, both Tony nominees, created a seamless integration of high-tech visuals, rendering the experience nearly cinematic until the final curtain call returned the audience to reality.

This evening at the Pantages was more than mere reminiscence; it celebrated the enduring appeal of Back to the Future—a narrative that continues to resonate through its humor, heart, and adventurous spirit. As the final applause subsided, Robert Zemeckis and Bob Gale joined original film cast members Claudia Wells and Lea Thompson on stage, an unexpected tribute that delighted fans, bringing the legacy full circle.

— Rosane Grimberg

“Back to the Future” Musical plays at the the Hollywood Pantages until December 1, 2024. Tickets at https://www.broadwayinhollywood.com/

Back to the Future: The Musical will play at Segerstrom Center for the Arts in Costa Mesa from December 26 to January 5.