Mozart’s opera “Don Giovanni” stands as an enduring jewel in the classical music world. Originally premiered in 1787 at the National Theatre in Prague, this masterpiece seamlessly weaves intricate musical compositions with a captivating narrative that explores themes of love, promiscuity, morality, and revenge. In a recent performance by LA Opera, the audience was treated to an exceptional rendition of this timeless classic, rejuvenating its iconic characters in a modern context.

Lucas Meachem, who charmed us in “The Marriage of Figaro,” is now Don Giovanni, commanding the stage with a potent baritone voice that reverberates through the theater. His portrayal of the legendary libertine achieved an exquisite equilibrium between charm and darkness, allowing the audience to delve into the enigmatic world of a predatory character who, in today’s societal climate, might not gain much leeway. Craig Colclough, drawing from his experience in roles like “Macbeth,” brilliantly portrayed Leporello, Don Giovanni’s humorous sidekick, providing comedic relief and a sense of camaraderie that beautifully contrasted with Meachem’s brooding presence and emphasized the complexity of their relationship.

The evening’s standout performance undoubtedly belonged to Guanqun Yu as Donna Anna and Anthony León. With a reputation forged in roles such as “Il Trovatore” and “La Boheme,” Yu’s soprano voice filled the theater, skillfully conveying Donna Anna’s intricate emotions with precision and depth. Her rendition of the aria “Or sai chi l’onore rapier a me volse” left the audience breathless, showcasing her exceptional vocal range and emotional depth. León, as Don Ottavio, complemented Yu’s brilliance with his resonant voice and quintessential operatic demeanor. Not to be outdone was also Grammy Award-winner, Isabel Leonard’s portrayal of Donna Elvira, whose rendition of “Mi tradì quell’alma ingrata” evoked tears from the audience.

“Don Giovanni” remains a masterpiece and a groundbreaking opera by Mozart, and this performance affirmed its enduring status. This particular production dared to take artistic liberties, especially in terms of set design. Es Devlin’s modern two-level rotating cube-shaped house, resembling more of an apartment complex or ship cabin than a traditional Spanish castle, may have challenged the sensibilities of traditionalists. Nevertheless, Ana Vang Kragh’s slightly more conventional costume design helped bridge the gap, preserving the essence of the era while allowing for a contemporary reinterpretation.

— Victor Riobo / G.Dhalla

“Don Giovanni” is playing at the LA Opera through October 15th. Tickets HERE.