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ana maria martinez

Review: Lorca’s Ghost Sings Again in “Ainadamar”

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Osvaldo Golijov’s “Ainadamar,” with a libretto by David Henry Hwang, is not so much an opera as a […]

May 1, 2025 Entertainment

Review: LA Opera’s “Così Fan Tutte” Shimmers in Jazz Age Decadence

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Mozart’s Così Fan Tutte has long been a paradox in the operatic canon: at first glance, a lighthearted […]

March 12, 2025 Entertainment

Vividly Haunting: LAO’s ‘Frida y Diego’ Unveils Love Beyond Death

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Gabriela Lena Frank’s haunting new opera, ‘El Último Sueño de Frida y Diego,’ traversed the realms of love […]

November 23, 2023 Entertainment

Review: Mozart’s “The Marriage of Figaro” is a Lavish Treat

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The privileged class, to say the least, hated it. France’s Louis XVI banned if for three year, stating, […]

February 7, 2023 Entertainment

Review: El Gato Montés (The Wildcat) at L.A. Opera

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With music and lyrics by Manuel Penella (1880-1939), and under the watchful eye of stage director Jorge Torres, […]

May 10, 2019 Entertainment
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