In the realm of grand opera, few works captivate the imagination quite like Puccini’s “Turandot.” Steeped in mythic grandeur and enveloped in an exotic atmosphere, it stands as a testament to his genius. The composer’s death in 1924 left “Turandot” without a conclusive ending, a task subsequently undertaken by Franco Alfano. Despite this, the opera remains a perennial favorite, drawing audiences with its dramatic narrative and rich musical book.

The opera is set against the backdrop of ancient China, where the icy and enigmatic Princess Turandot’s disdain for men is legendary, leading her to decree that any suitor seeking her hand must answer three riddles correctly or face execution. Prince Calaf, undeterred by the grisly fate of those who preceded him, becomes enchanted with her at first sight. His success in solving the riddles is a triumph of intellect and will, yet it is his offer to forfeit his life should Turandot discover his name by dawn that adds a layer of psychological complexity and emotional depth to the story.

“LA Opera’s Turandot captures the very soul of opera with its unforgettable arias, breathtaking sets and costumes, and exceptional talent, making it a definitive masterpiece.”

Puccini’s score for “Turandot” is a tour de force, showcasing his ability to blend powerful orchestration with hauntingly beautiful melodies. The opera’s most famous aria, “Nessun dorma,” sung by Calaf, has transcended the opera world to become a cultural touchstone, emblematic of triumph against insurmountable odds. Tenor Russell Thomas excelled in its delivery, encapsulating the emotional heart of the opera, promising light after the darkness. Soprano Angela Meade’s voice is robust and powerful, surpassing even her remarkable performance in LA Opera’s 2002 production of “Roberto Devereux.” Her extraordinary talent made it evident that we were witnessing a historic moment in opera, one destined to be remembered as legendary. Guanqun Yu as the tragic Liu, who sacrifices herself out of love for Calaf, adds a poignant counterpoint to the opera’s more grandiose elements, embodying the purity and selflessness that ultimately prevail.

The brilliance of Turandot lies not only in the unparalleled performances of the cast, but also in the stunning stage design by the renowned British artist, David Hockney. Immersed in intensely saturated hues of red, green, and azure, Hockney’s “Turandot” sets, with their sweeping curves and sharp angles, provide a mesmerizing backdrop for the dark fairy tale. Operas can be notoriously long—this one has two intermissions—and yet, the swift pacing, visual spectacle, and breathtaking talent made it an engaging experience that held the audience’s attention effortlessly. If you experience just one opera this year, let it be this one. LA Opera’s “Turandot” captures the very soul of opera with its unforgettable arias, breathtaking sets and costumes, and exceptional talent, making it a definitive masterpiece.

— G. Dhalla

“Turandot” plays at the LA Opera through June 8th. More information at www.laopera.org