|
 |
 |
|
Photo credit: George
Kraychyk |
|
Ben
Affleck Takes Flight
Noir is back in fashion. In the aptly titled
Hollywoodland, Affleck revives the notoriously unresolved mystery of
the silver screen’s Superman, George Reeves, who died of a single
gunshot wound at 45. It was widely reported that Reeves’ death was
suicide, with a typecast and fading career theorized as the cause but 10
days later, two more bullet holes were discovered by police. Nearly 50
years after the fact, speculation continues to surround his death and
the case remains one of Hollywood’s most enduring mysteries.
Affleck, no stranger to the world of tabloids, broke into our
consciousness with his Academy Award-winning script for Good Will
Hunting and the well publicized romance with a certain Latina pop
star. He sympathized with the curse of celebrity: “For me, there was a
much larger responsibility even than that of playing a real person. This
is a man who, in his life, would not get credit for being his own
person. I found that he had been in a car crash once and kind of
fainted. The newspapers then said, ‘Superman Faints at Sight of Own
Blood.’ People were very flip and snide about him. It was demeaning,
and he deserved better.”
Already generating Oscar buzz, Affleck’s role as the doomed
superhero is a departure from the testosterone-charged, comedic, and
art-house films in his repertoire. Producer Glen Williamson says of
him: “I’ve worked with Ben before, and I hadn’t seen him as happily
focused on his work as I did on Hollywoodland. There were a lot of
actors who wanted to play Reeves, but I knew Ben would identify with the
role and be perfect for it.”
Director Allen Coulter says: “I started sending Ben Affleck
materials on George Reeves as soon as he agreed to do the film. He
watched a hell of a lot more of the Adventures of Superman episodes than
I did. We found a tape of Reeves speaking as himself, not
in-character. Ben was fascinated by that, and would listen on-set to
that tape or to excerpts from Reeves’ movies or television shows. He’s
do that right before we’d start shooting. He learned Reeves’ voice,
posture and manner.”
Academy Award winning actress Diane Lane plays Reeve’s love
interest, Toni who was married to Edgar Mannix, the general manager of
the legendary film studio MGM. She was at least eight years older than
Reeves, and although he as the celebrity, it was she who paid for his
Hollywood Hills home and the lifestyle he enjoyed. “At the time Toni
came along in George’s life,” says Affleck, “she represented something
that he wanted – a fresh start, and to feel younger and more alive. In
some ways, she used the fact that she gave him money, paid his expenses
with her husband’s money, to control him. Although I believe they
really loved each other, ultimately she came to represent something to
him that made him unhappy. But once she was out of his life, his life
went sideways.”
Allen Coulter's
HOLLYWOODLAND, a Focus Features release. Photos by George Kraychyk.
SOUNDS
|
WORLD
TRADE CENTER Craig Armstrong (SONY)
Consistent and poignant, the score to Oliver Stone’s 9/11
flick is a gem from start to finish. The string-heavy score is
emotive and succeeds in standing alone if you haven’t seen the
movie. Golden Globe winning composer Craig Armstrong, known for
Ray, Moulin Rouge and Love Actually, adds another
memorable soundtrack to your player. |
 |
|
MASTERBEAT:
SPF 2006 (Master Ent.)
The 2-CD set of dance mixes has a distinctly European feel
but also features such dance floor hits likes
Leela James' Music (Eddie's
Bring It Back Mix), Meleni Smith's Meet Me In The Bathroom
(L.E.X. Bathroom Vox Mix), Inaya Day & China Ro’s Movin' Up.
The ever-popular DJ Brett Henrichsen brings the party home. |
 |
|
BOMBAY DUB ORCHESTRA Remixed EP (Six Degrees)
Already #1 on the iTunes chart, this lush and
seductive remix EP delivers the sounds of South Asian
electronica through the mixing talents of masters like Thievery
Corporation and Banco de Gaiai. The brainchild of English
musicians Andrew T. Mackay and Garry Hughes, Bombay Dub
Orchestra fuses east and west flawlessly. |
 |